Preliminary Task Research
180 degree rule
Camera position and eye line when filming a
scene using separate shots, it’s important that people understand where
everything in the scene is. Need to make sure that when the shots are edited
together, the characters are still looking in the same direction. To make sure
this works, you need to imagine a line between the two characters. This is
called the axis of action. The camera cannot move more than 180 degrees around
the character.
Refers to film editing and video editing
techniques where the editor cuts from one shot to another view that matches the
first shots action. Cutting on action/matching on action gives the impression
of continuous time when watching the edited film. The entrance in the second
shot must match the screen direction and motive rhythm of the exit in the first
shot.
Shot-Reverse-Shot
A film technique where one character is shown
looking at another character (often off screen), and then the other character
is shown looking back at the first character. Since the characters are shown
facing in opposite directions, the viewer assumes that they are looking at each
other. It is a feature of the ‘classical’ Hollywood styles of continuity
editing, which deemphasizes transitions between shots. It is an example of an
eye line match.
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